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senatorhung's pad
ramblings of an information troubleshooter
fuel lines make the world go 'round
Sunday, 31JUL2005:
biked out to the causeway to see if i
could spot any seals out in the bay, but
it was low tide. i parked myself to
read a few pages out at the end of the
causeway, but the rising water crept up
on me and i didn't notice until it had
soaked the bottom of my tote.
i moved on up the ridge and found a
small nook sheltered from the wind to
continue my reading of linda mcquaig's
'it's the crude, dude'. after biking
back to town, i rewarded my exertions
with a slice of strawberry-rhubarb pie
from fantasy palace. yummy.
in the evening, i hit the astro again
to catch 'stealth'. compared to 'the
island', this was a huge improvement.
there was a moral dilemma that was
clearly outlined in terms of the
different capabilities of humans vs.
artificial intelligence. the villain
was merely an honourable warrior who
just pushes things a bit too far too
quickly. these serious elements were
just as integral as the outstanding
dogfighting scenes and with music by
'bt', the beats were just fine.
coming back downhill, i ran across
the tail end of a bbq at nikki's and
stopped in there for a bit. the
conversations went from top movies of
various categories (bruce lee, scary,
early 80's, late 80's, ww2, etc.) to
favourite simpsons episodes. however,
when talk turned to daycare operations,
i decided to excuse myself and call it
an evening.
way to end another long weekend
Monday, 01AUG2005:
slept in until the afternoon and then
got up to rip some tracks from cd's
to mp3 format. now, most people seem
to just rip every track from a cd and
filter out the crap later, but i'm a
tad more protective of my ears.
i'll edit for stuff that i don't want
(e.g. dead air, intros for subsequent
trax), combine pieces of the same track
that have been split over multiple trax,
boost volumes for sections of a song
and even re-balance the eq on a track
that sounds muddy or, for vinyl, too
clicky. needless to say, i have a
substantial ripping backlog.
called over to the atii gym to make
sure they were open regular hours
given today's civic holiday. found
out that they were, so i wandered over.
however, my timing was still off, as
since it wasn't 5:30 yet, they hadn't
opened for the day. so, i hung out
behind the building, watching some sled
dogs stretch out their lines and digging
little nooks for themselves to soak in
the sun.
a friend invited me over to sample a
tasty salmon supper and then we hiked
out to visit the sled dogs again.
just as we returned home, the sun
peeked out from the clouds.
wanted: problem solvers
Tuesday, 02AUG2005:
in the morning, i dropped off a
completed application to be a member
at large on the city's solid waste
management committee. we'll see if
i meet their stringent qualifications,
but seeing as they don't have either
a director of engineering or of public
works (the two directors that this
committee is supposed to advise), i
don't think there's any rush.
we had been having a 'joint' celebration
of staff birthdays each month to
minimize the amount of cake buying, but
seeing as i was the only july kid, i
would have been happy to slide in with
the august crowd. however, since today
was also morgan's last day, charlene
baked a couple of cakes to mark both
occasions. we all bugged morgan about
how much he would miss working in our
lively office.
- link of the day: jared diamond
of 'guns, germs and steel' fame is
interviewed
about his new book 'collapse'. he
pulls away some of the veil about
the mystery of what happened on
easter island, but i'm still planning
on visiting someday.
Around the year 1670, they chopped down
the last tree on the island. Without
forests to protect the soil, they ran
into problems of soil erosion. Once
they couldn't construct canoes to go
fishing, the only large animal left on
Easter Island as a source of meat was
each other. Easter Island society
collapsed in an epidemic of cannibalism.
The worst insult that an Easter Islander
could say in those days: the flesh of
your mother sticks between my teeth.
Easter Island society collapsed
ultimately due to deforestation.
anyway, he lists 5 factors that he
considered important in evaluating
a societal collapse:
- human environmental impacts
- climate change
- enemies
- friends
- type of response to problems
It's a very interesting question, why
a society doesn't even notice or
doesn't successfully respond to
problems that look obvious. You would
think, not a good idea to chop down all
the trees and cause soil erosion. They
needed timber and pastures, how could
they be so dumb?
But let's just suppose that 50 years
from now there's still a complex society
left on earth. What do you think they're
going to say when they look back on the
United States in 2005, with its well-known
energy problems, continuing to waste
energy? Not dealing with its population
problems or its water problems, how obvious.
Soil problems, how obvious. Climate change
problems, how utterly obvious.
The Norse were unwilling to learn from the
Inuit who preceded and outlasted them.
That's right, the Inuit are still alive
today. It's like a controlled laboratory
experiment. The red test tube and the
blue test tube: the Inuit and the Greenland
Norse. The Inuit hunt whales and seals.
The Greenland Norse grow sheep and goats
and cows, but refuse to hunt whales and
seals. It seems obvious if you're short
of food during the winter, it's a good
idea to hunt whales and seals. How
could the Norse be so stupid?
Well, the Greenland Norse were medieval
Christians. They despised the pagan Inuit.
Modern Americans have also been known to
despise other people. The Greenland Norse
refused to learn from the Inuit and they
all ended up dead as a result.
how can we work together ?
Wednesday, 03AUG2005:
just some annotated links today ...
- david kilpatrick discusses the
growing
contribution
economy that he believes is not
adequately tracked by conventional
economics. He posits that:
... the value that can now be produced
through collaboration is vastly greater
than in the conventional top-down process.
- the online journal first monday
published an article about
professional
participatory journalism that outlines
how this idea of a collaboration economy
impacts on the domains of journalism and
advertising. the author believes that
these media professionals would be better
off shucking the idea of an 'audience' for
their work and buy in to the idea that
they are communicating with fellow
'citizens'. the danger is that
'egocasters' (such as my fellow bloggers)
will supplant traditional media outlets
based on increasing relevance to other
people who are as much creators of media
as consumers.
Instead of relying on journalism, advertising
and other professional storytellers to make
sense of our world, we seem to become quite
comfortable in telling and distributing our
own versions of those stories. ... It then
seems the astounding rise of the mass media
throughout the twentieth century owes much
of its success to filling a temporary void
between the demise of our trust in (as well
as reliance on and allegiance to) social
institutions - like the state, the church
or mosque, the school, our families or our
parents - and the emergence of a perhaps
over-zealous faith in ourselves. As Shirky
(2000) aruges, "[i]n retrospect, mass
media's position in the twentieth century
was an anomaly and not an inevitability."
- in '
why
unions are like typewriters', frank
joyce discusses why unions have lost
some of their influence since their
heydeys from the 1930's to the 1970's.
i don't necessarily agree with some of
his proposed solutions, but one of his
statements about why unions have become
somewhat discredited struck a chord for
me:
... the unions that are out there flunk a
simple cost-benefit test. ... Unions remain
wedded to an exclusively employer-based
model in a time when there is hardly a
single worker under 30 who expects to have
the same employer five years from now, let
alone when they retire. They cling to a
'zero-sum' world view that 'sells' the
value of the union as directly proportional
to the oppressiveness of the employer.
Consequently, if employers aren't perceived
as abusive, unions have defined themselves
as having little to offer.
community icons
Friday, 05AUG2005:
fiona had asked me if i would be willing
to introduce our guest speaker at this
month's nunavut press club meeting and i
was glad to oblige. here's what i had
to say:
Good evening. Bryan Pearson has been
a community icon since his arrival in
Frobisher Bay in 1956. HE took over
the 'Fox Theatre' from the U.S.
military and in 1957, he branched out
to found the general store Arctic
Ventures. In 1965, he was first
elected as mayor and he served in
that capacity several times on and
off for a total of 18 years.
In 1970, he was elected as the
Territorial Councillor for the South
Baffin region, representing
constituents from the Belcher Islands
to the North Pole. As a Councillor,
he was a strong advocate for the use
of aboriginal languages and was
instrumental in the formation of the
interpreter corps now working in the
Legislative Assembly. He also helped
to found the Territorial Housing
Corporation and was re-elected as
Councillor for the subsequent term.
After selling Arctic Ventures in 1985,
he had so much free time on his hands
that he decided to run as a candidate
in the 1988 federal election in the
riding of Nunatsiaq. He returned to
the theatre business in 1996, opening
the Astro Theatre down the hall where
I worked with him in March to present
Iqaluit's third viewing of the Banff
Mountain Film Festival. Besides
first-run movies, his venue has also
hosted classical music groups. He
has travelled widely and is also
famous for penning Letters to the
Editor.
I hope you would all join me in
welcoming our guest speaker this
evening, the irascibly outspoken,
Mr. Bryan Pearson.
his talk was very well-received and he
was peppered with questions until he
had to run off to welcome the audiences
for the late shows at the astro.
sara invited us over to her place for
drinks afterwards, as a prelude to the
legion. her brother rob was in town
visiting from saskatchewan and then
chris showed up with his sister liz,
visiting from ottawa. olivia had
just flown back in to town the nite
before and she gave us the lowdown on
how she fared during her weeks-long
geology field trip.
unlike last weekend, with olivia and
sara back, we had enough members to
sign in everyone in our group. i hit
the pool tables right away and managed
to hold my own for the night, getting
the last word against each of my
opponents by losing at first and then
taking the table from them: moe 1-1,
epeebee 1-1, and patrick 3-1.
when worthy opponents quit presenting
themselves, i went over to dance for
a couple of songs until the lights came
on. stood around outside in the
spitting rain, devouring a hot dog from
jeff's cart across the street and
chitchatting for a bit before heading
home.
- link of the day: who needs anthrax
when you can use
kittens
to freak people out instead ?
movies and more movies
Saturday, 06AUG2005:
today's show went smashingly well and
i it didn't take me long to edit my
copy at home into a final re-usable
version. today's show featured
selections from movies, inspired by
my
pivotal
splices mix with tracks taken from
official soundtracks as well as ones
ripped directly from dvds.
aur.oral exposures setlist for 06aug2005:
- Your Song - Ewan McGregor and Alessandro
Safina
[Baz Luhrmann's Moulin Rouge]
- Well Tempered Clavier Fugue G minor
(J.S. Bach) - The Eccentric Opera
[Hiroko Tokita's Nazca] (a japanese anime)
instrumentals:
- Yumeji's Theme - Shigeru Umebayashi
[Wong Kar Wai's In the Mood for Love]
- Ice Dance - Danny Elfman
[Tim Burton's
Edward Scissorhands]
- molly - Michael Nyman
[Michael Winterbottom's
Wonderland]
- I Want to Be a Librarian - Parker Posey and cast
[Daisy Von Scherler Mayer's Party Girl]
- Party Girl (Turn Me Loose) - Ultra Naté
[ditto]
lounge-y:
- Sway - Anita Kelsey
[Alex Proyas'
Dark City]
- Roads - Portishead
[Rachel Talalay's
Tank Girl]
- One More Kiss, Dear - Don Percival and Vangelis
[Ridley Scott's Blade Runner]
dvd extracts:
- Who Will Take My Dreams Away ? - Marianne Faithfull
[Patrice Leconte's La fille sur le pont]
(a.k.a. The Girl on the Bridge)
- A Moment for Gandalf - Howard Shore featuring
Edward Ross
[Peter Jackson's The Fellowship
of the Ring]
- Milk Tanks Drained - audio extract
[Stephanie Black's Life + Debt]
- Life and Debt - Mutabaruka
[ditto]
techno:
- 2 Pi R - Clint Mansell
[Darren Aronofsky's
Pi]
- Voodoo People - Prodigy
[Iain Softley's
Hackers]
- Spybreak ! (short one) - Propellerheads
[Wachowski Brothers' The Matrix]
- The Stripper - Joe Loss and His Orchestra
[Peter Cattaneo's The Full Monty]
after the show, i puttered around at
home for a bit until wandering up to
the astro to catch 'charlie and the
chocolate factory' with stef. johnny
depp was suitably strange as the
traumatized child-adult, reunited
with his neverland co-star. i found
myself singing along with the musical
numbers and the actors who played the
oompa loompas were hilariously
versatile.
got home to have some supper and then
stayed up til 5 in the morning watching
'the eternal sunshine of the spotless
mind' twice, the second time with the
audio commentary by screenwriter
charlie kauffman and director michel
gondry. the film held up to repeated
viewings and it was neat to pick up on
little details.
my favourite scene is when joel and
clem are sitting at the site of their
first meeting. clem asks what they
can do with the time that they have
left, now that they've run out of
options, and joel responds, 'we just
enjoy it'.
- link of the day: a salon.com
interview with rebecca solni,
the author of
A
Field Guide to Getting Lost.
I had been writing in these distinct
voices, the sort of personal, essayistic
voice, the voice of criticism, the voice
of environmental journalism. And the
test site was such a complex subject that
I realized I needed all of them, that it
was just an artifice, and an unhelpful
artifice at that, to keep them separate.
One of the models for me ever since has
been conversation. I have these
wonderful conversations with friends
where we'll stop and say, 'wait, how did
we end up talking about this ?' I think
everybody has them; it's how we experience
life. We're always doing this sort of
associational jazz riffing, in thoughts
and conversations. The rules in writing
are usually that you have to be more
linear, but, you know, why ?
First Post (27FEB2005)
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